drift - a series of dialogues between artists at höjden studios
drift is a proposal that aims to trace artistic and discursive tendencies moving through höjden studios.It simultaneously constitutes a forum where materials and ideas can transform, resonate or fall apart in the movement of recurring meetings.drift is a record of cacophonies landing slowly over time as artists at höjden studios invite for openings and points of connection.
With Ar Utke Ács Austeja Vilkaityte Foad Arbabi Karina Sarkissova Maia Means Molly Engblom Oda Brekke Paloma Madrid Robin Dingemans Scott Cazan Sonja Lindgren Stina Ehn
produced by Oda Brekke and Scott Cazan\ graphic form by Edith Ekström\ mastering by Foad Arbabi
drift is made possible with support from Kulturrådet
In the fourth episode of drift dialogues Karina and Molly discuss their practices, and their use of text as well as the role that spaces outside of the studio and institutions play in their practices of dance, curating and poetry.
They touch upon the use of montage and collage and dig into their motives for making art departing from two meetings in the studio at höjden, right in the beginning of 2024 where they exchanged practices by sharing, leaking, and finding common points of interest.
Karina Sarkissova is an independent curator and dramaturge based in Uppsala and Stockholm. She graduated in 2012 at the School for New Dance Development in Amsterdam (SNDO) and in 2019 at Dutch Art Institute (DAI). Karina is together with Pontus Pettersson curating the annual festival My Wild Flag, as well as curating the performing arts program at Norbergfestival with Olof Runsten. Karina is a cofounder of höjden in Östberga, a space for artistic production. Karinas practice is dramaturgical, choreographic and curatorial; she is regularly working with other artists’ work and develops choreographic contexts.
molly is a dancer, choreographer and poet based in Stockholm with a BFA in Dance performance from Stockholm University of the Arts (2019). molly works experimentally with dance, voice and text to make work that takes place in different spaces; like a body of water shifts shape, the choreographic leaks in and out of stage rooms, art galleries, magazines, and unconventional places e.g. outdoors. Through strange, tender and shivering fictions she wants to create situations where relational and poetic encounters can take place. Currently she is investigating the poetics of monstrosity, abjection and desire.
Works mentioned:\ And then it got legs, Jeroen Peeters\ Generative Fictions, or How Dance May Teach Us Ethics, Alice Chauchat, Post dance book\ Red doc, Anne Carson\ Kafé mix, a series of performance evenings at höjden arranged by Jennie Bergsli, Stina Ehn, Lisen Pousette\ Edith Ekström, graphic designer\ INTER, by Karina Sarkissova. Commissioned work for the project Myths and realities, a lesbian oddysé
October 2023 Paloma and Robin met in Vinterviken where they engaged in a shared curiosity towards the ancient wisdom of forests and gardens. In the third episode of drift dialogues you are invited to listen to their practices, unfolding through mantras and stories in a rainy afternoon.
Paloma Madrid/Mar Lobos has been working in the dance field since 2005 as a choreographer, dance educator, dancer and artist. Recognized as an active and emerging artist, she is often described in the field as the "poetical body investigator," exploring the body as a medium in constant (r)evolution and a producer of consciousness. Madrid's work consistently delves into the intersection of collaborative art and social choreography. Pioneer of Communitydance in Sweden, working with participatory embodied processes since 2008 at Botkyrka community dance and theater. Paloma is artistic director of Rosales, a dance company and platform that investigates the spaces between oppression and resistance to gather knowledge and establish a practical and theoretical framework through participatory methods, moving away from polarized dance practices. Her collaborations include commissioned work for Riksteatern, Moderna Museet, Dramaten, The Swedish Television, SKH. Engaged in the longlife process with the collective Tvillingskapet and V.C.V.T. Paloma holds a Master of Fine Arts in Choreography and a Bachelor of Arts in Dance Pedagogy from DOCH-SKH Stockholm University of Arts, Sweden.
Robin Dingemans is a choreographer, performer & teacher from Aotearoa, a Pākehā based in Europe since 1999. Robin's work includes dance for the stage, non-traditional performance spaces, video, social dances, work for children, symposiums, and writing. He often collaborates with a broad spectrum of artists, including dancers, dramaturges, composers, writers, illustrators, video designers, psychologists, and more. His practice is centered around playing with creative processes and outputs which are often sociologically informed. Since 2015 explicitly committed to anti-racist/bigoted imperatives informed by his tricultural childhood, life in hyper diverse London and racism in Sweden and internationally. His works have been commissioned and presented by many different organisations in the UK, Sweden and internationally. He has interpreted and collaborated with a broad spectrum of contemporary dance choreographers and theatre directors since 1996, performing in works of Weld Company, Fevered Sleep, Station House Opera, DV8 Physical Theatre, Wally Cardona, Lito Walkey, Requardt & Rosenberg, Ricochet, Protein, Theatre Rites, Yvon Bonenfant, les gens d'Uterpan and many more. He has created works, supervised, taught improvisation, composition and creative practices at many Conservatoires, Universities and a broad spectrum of professional and community contexts internationally.
Works mentioned in the episode\ Gloria E Anzaldua- Light in the dark, zapatistas movement
Photo: Javier Lopez
The second episode of drift dialogues starts in the middle of a practice. Sonja comes from architecture and Oda from dance, they discover they share many interests, but use different words. In this conversation they complicate each other's means of making sense of life, work and art in a society where consumption controls the way we see things. How can ideas and methods alter our perception? What are the limits of the formats we use when we work and how do they form the potential for thinking and memorizing?
During November 2023 they met several times over a pile of papers and books in höjdens studio. Listen to them read, describe and discuss their own work as well as texts and performances by other artists and thinkers.
Sonja Lindgren is an architect based in Stockholm, and works in the fields of architecture, design and scenography. She is educated at Umeå School of Architecture.
Oda Brekke is a dance artist based in Stockholm, working internationally as a choreographer, writer and performer. Her choreographic work has been presented at MDT, Weld and Fylkingen in Stockholm, Bergen Kjøtt and Zagreb Museum of Contemporary Art and includes ‘When there’s only surface left’ (2021), ‘Cut: a choreo-essay’(2023) and ‘dead dead document’ (2024). Since 2018 she has organised a range of discursive formats and structures for collective spaces and processes.
Works mentioned in the episode:
Object Making- Manon Santkin\ From the publication Art as Practice| Art as object
Cut: a choreo-essay- Oda Brekke\ Performed at 14.01.2023 Kafé Mix, höjden studios
The Breast piece- Alice Chauchat & Frédéric Gies
Translating the Essay into Film and Installation- Nora M. Alter
Michael Taussig- Fieldwork Notebooks
Sarah Vanhee- Oblivion
"Wonderment Domastication", Gabriel A Maher
In the first episode of drift dialogues you hear a non-linear reading of a book Maia and Stina made together when they met in the studio at höjden November 2023. The reading is followed by a discussion some months later where they look back at the activities that led to and landed in the book.
Amongst other things Maia invited Stina to join her in scores of listening, talking, writing and moving, adapted from her recent piece ‘fictions, stitched’ with Copenhagen based choreographer Max Wallmeier that was presented at Weld in Stockholm November 2023. Stina shared movement and writing practices, and proposed a performance score that took place around the whole house, adapted from her ongoing process with the Zürich based artist Sophie Germanier.
STINA EHN (SE) works with dance and choreography based in Stockholm. Her work departs from experimental methods where steps and language inform one another and she often works in close collaboration with other artists. Her choreographic work has been presented at places such as Dance Nucleus Singapore, Weld Stockholm, HAUT in Copenhagen and Köttinspektionen in Uppsala. Stina has been a member of höjden studios since 2020 and part of organizing the performance event Kafé Mix since 2022.
MAIA MEANS (NO/DK) is a Stockholm-based freelance dancer who spends time between performance, text and organisational practices. The last years she has worked with choreographers such as Oda Brekke, Sindri Runudde, Björn Säfsten, Ellard/Lech and Mette Ingvartsen. Together with Max Wallmeier, she has created two books and the performance “fictions, stitched” that premiered in 2023. Means is part of running “höjden”, a self-organised space for artists in Stockholm.
More episodes coming soon...
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